Behind the Scenes with Lisa B Draws: Children’s Illustration, Picture Books & Creative Life

Welcome to my blog! I share insights into my daily work as a children’s book author and illustrator, and offer tips and encouragement for anyone wondering how to become a children’s book author illustrator themselves. I hope you enjoy reading and find something helpful to get you started on your own creative journey! 😊

Dive into the creative world of Lisa Bentley

First steps towards the world of publishing

Welcome back to my Behind the Scenes with Lisa B Draws blog. By sharing my experiences so far — and the ups and downs of life in publishing and illustration — I hope to answer some of the questions I had when figuring out how to become a children’s book illustrator and author. I hope you enjoy reading this next instalment.

Close up of hand painted versions letters from Lisa B Draws' animal alphabet used in Personalised Prints
An early watercolour character who would become part of my animal alphabet and feature in my personalised animal name prints.

Early Beginnings: Discovering a Love for Art

Hello again and firstly I think it’s only right for me to apologise for the massive delay in getting blog number two out to you!

All I can say is that life has very much got in the way of writing it and I only have myself to blame for launching a blog directly before the summer holidays whilst I am in the throws of illustrating two books. Lesson learned.
Anyway, talking of lessons learned, publishing is one of those things where you are constantly on a lesson learning journey.

My journey started a long time ago and if we go right back to my first discovery of drawing and storytelling then I suppose it goes back several decades.

My more notable successes have been more recent and then you’ve got all the
other important bits scattered in between.
As always though, I believe it’s always best to start from the very beginning…

Getting Started

I have always been obsessed with using my imagination to create new worlds and characters. My mind is almost always preoccupied by thinking and this thinking usually manifests itself through drawing. I would draw for hours as a child and would very often opt to sit and draw during wet play at school, rather than join in other activities with my friends.

So, I guess art in some form was always destined to play a huge part in my future. I always did incredibly well in art and received a lot of praise from teachers and my peers, which to be honest I always found a little weird, as I never really put in much extra effort.

Obviously, the natural progression through school was to choose art as one of my options at GCSE and A-level and I had an incredible art teacher who taught me so much about the art of drawing
and painting and also more importantly that “there is no point in a blunt pencil!”

Some of those early doodles eventually became the foundation of the animal characters you’ll now find featuring in my illustrated prints and gifts in the Shop pages on lisabdraws.co.uk

Finding My Way at Art College

After school the next part of the pathway was to go to art college. It was here I learned that although I like clothes it doesn’t mean I am any good at designing them (in fact far from it) and that product design should be left to people that like chairs, like a lot (there were a lot of chairs in that end of year show).

I also learned that although I believed that Graphic design
was for me it was actually illustration that fulfilled me the most and I’m so thankful to my tutor for suggesting one day that I might be better off sitting at the other side of the Graphic Design and Illustration studio. It was there, at the other side of that studio, that I learned that I loved illustration.

The Turning Point: Illustration at Loughborough University

Next came university and with it, you guessed it, a lot more learning. It was at this stage that I learned that you do not have to go to London to do an illustration degree. There are plenty of universities offering great illustration courses and I just happened to pick (I think) the best
one of all. Loughborough University.

At the time the Loughborough course was up there with the best of them and as a result it was incredibly difficult to get in to. But, through sheer grit
and determination, a portfolio of solid work and an uncanny ability to talk about myself when I absolutely needed to, I managed to get one of the very few spots available and therefore had sealed my fate for the next three years.

Illustration at Loughborough was, I believe, the turning point for me where I realised this could become a career and not just something I loved to do in my own time. Today I still get that same excitement when creating spreads for my children’s books and prints, which you can explore here.

Determination and Learning to Make Mistakes

I learned that sometimes you have to undo everything you have previously learned in order to find the real “you”. They stripped us right down to basics in that first year. Removing colour from our arty
worlds, forcing us to look much closer at the world that was actually around us to truly appreciate texture, pattern and form. Year two was about rebuilding the illustrator inside of us using the foundation that we had re-built in year one.

It was this second year that I struggled with. I found it hard to “let go” of the things I had already learned about illustration. Petrified of making “a mistake” I clung onto the ideas I had developed prior to starting university and in some ways it let me down. From going from a first in year one I crashed (in my eyes) down to a 2:2. I was devastated. I found it hard then to understand why this had happened. I’ve come to understand that I shouldn’t have thought about it in this way. So many people said to me “it doesn’t matter” but in reality it did. It really did matter because I was learning, and in order to learn you have to make mistakes.

Choosing a path

Year three was where I, despite my course leaders’ difference of opinion, decided I absolutely wanted to become a children’s illustrator.

They suggested I try something different to children’s illustration for my final show, so I designed some travel book jackets for adults and made them look like they were for five-year-olds anyway. We held an exhibition and I thought it was wonderful to see my work displayed amongst my illustration studio family. It wasn’t perfect, but I was proud and I felt like I was actually doing it. I was becoming an Illustrator. I came away with a 2:1.

Happy with that, I left university with a spring in my step and a newfound confidence in my ability to adult.

Becoming a Children’s Book Illustrator

I had a plan and I was going to take over the children’s book world (I’d seen Julia Donaldson do it, how hard could it be?!). I was going to write amazing stories, all the publishers will love to work with me because I’ve got great ideas and I work super hard.

If I sold two or three books a year I would earn a decent wage while doing my dream job. I’d raise a family with my free time, live in a nice house and my life would be simple. I’d learned everything I needed to learn to at least make a start. Right?
I was a children’s book author and illustrator. I was ready to write and I was ready to illustrate!
Only it would seem that the children’s book world wasn’t quite ready for me.

TO BE CONTINUED …

Have you ever thought about writing or illustrating your own story? I’ll be sharing more lessons in part two — stay tuned and be sure to follow my socials for updates.

Hello, this is me

Welcome to my blog

Hi, this is me. I’m Lisa Bentley and I’m an author and Illustrator of children’s books. I currently have two children’s books, published by Simon and Schuster, and written and illustrated by myself out at the moment with many more to follow. I’ve been writing and illustrating books for children for a few years now and have gained a lot of experience along the way. So, I guess that’s why I’m here, now, writing this blog. To give something back.

Why I do what I do

It sounds very cliché, but this job really is what I was born to do. It has not been without its ups and downs though. Quite often it feels like there are more downs than ups to be honest, but it is a job that fulfills me like no other can and I shall go into more detail about this in a later blog post. It is a job that has bought with it some unexpected side effects, the majority
of them lovely, others are ones I find more difficult to navigate but I’m getting there! One of them being my unconscious ability to attract attention. Not completely unwanted (as it’s nice to not feel invisible sometimes) but nonetheless for me, a challenge.

Dealing with Attention

Creating books as a job is not something I ever thought would bring me so much attention. Attention on me is not something I deal well with and yet, it’s something I have had to learn to cope with as it would appear it’s just “part of the job”. I can’t go anywhere now without people I don’t know asking me what I do for a living and then immediately gasping in disbelief at my response. The questions that succeed this inevitably follow this format; “Are you published then?”, “How did you get into that?”, “Do you write as well?!” “Are you good at art then?” etc. and then It’s almost immediately followed by “I’d love to write a children’s
book”.

The Mystery of the Industry

I’ve come to realise that this job I have is a dream for many and being given this opportunity is something for which I should be eternally grateful. This makes me more determined that I should continue to embrace and work on my reluctance to talk about myself and what I do.
The questions I receive from people also made me realise that for some reason this industry is shrouded in mystery. I remember when I left university, a budding, young illustrator, desperate for a break, I had absolutely no idea what I was doing. University had taught me so much about being an illustrator but what it hadn’t taught me was HOW to become one.

Early Rejections

I eagerly and somewhat blindly sent manuscripts and artwork off to many publishers, costing me a lot in time and money. Money that I didn’t have. Of course, these all came back with rejection letters. Lovely comments about my artwork but they couldn’t publish me because “we are in a recession” or “we’re not taking any new artists on right now”. If only I had known what an unsolicited manuscript and a literary agent were, I would have focused my attention on trying to find myself some representation, as in reality, I am sure, that is the real reason why my work was never accepted.

A Later Start

Who knows, maybe I would have been published years ago and be celebrating over ten years in the industry. Or maybe I am more knowledgeable now, with some life experience behind me, more able to write and illustrate with the worldliness that is required to reach the hearts of others. As it happens, I didn’t embark on this career after my short-lived post university stint until thirteen years later, after changing career, settling down and having children.

Why Now?

So why now? Why after thirteen years have, I been able to break into one of the “most difficult industries” (as I was constantly told time and time again) and carve myself my dream career? In short:

 Great ideas
 Representation
 The world’s best support network

Advice on how to become an author illustrator

I’ll talk about all these things in much more detail in future blog posts, but if you never read anymore of my blogs, then please take this small piece of advice as a token of my appreciation for reaching the end.
Make sure your ideas are great. A story is not a great story without a great idea. Find something interesting and unique to write about and turn it into something wonderful. If you are an illustrator, find something great to do to showcase your work. This can help you generate money on the side of your publishing career. Yeah, sure, social media is key, but I found that creating a separate product that people could buy really opened up a whole other door for me where I could be seen, sell my work and meet potential clients and readers of my books. For me it was my animal name prints that helped me break into book and art fairs and give me more exposure online.
Find an agent to represent you. They are a bunch of extremely knowledgeable, lovely people who adore stories, and they come with a huge number of contacts. They already have their foot in the door and will be more than willing to help you get yours in the door too! And finally, find your support network. I couldn’t do what I do everyday without a huge amount of support from my partner, family, agent and my writing and illustration community. Go find your people and allow them to help you emotionally and financially achieve your
goals.

Looking Ahead


These points of course are just the tip of the publishing iceberg. There are many other factors to address, but I consider these my most important three. All of these and other subjects, will be covered in much more detail in future blogs.
My hope is that my monthly musings can help other people with dreams of writing or illustrating a book one day. Providing an insight into what working in publishing is really like and also hopefully dispelling a few myths along the way. I know it’s something younger me would have been grateful to have read and I know older me is going to be very grateful to be able to write it.


Here are some links to some of the fabulous people and teams I have collaborated with so far on my journey. Please visit and support them too:

A cute cartoon-style illustration of Lisa Bentley, a children's author-illustrator, playfully sitting on an oversized pencil with a whimsical expression.

I hope you are enjoying my blog. I aim to publish a new article once a month. If you want me to cover a particular topic, or have a question, please get in touch.

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